The Hobby Graveyard in ADHD
Big three-week passions and supplies waiting in the closet. Why interest fades so fast and whether that is really a problem.
There are a lot of beginnings in my closet. A half-finished craft, a supply kit, a course notebook.
Each one was the center of my life the week it was bought. None of them saw the third month.
My aunt is someone like this too. Her hobbies change all the time, and on every visit she is busy with something different. I have always looked at her with affection; I have thought of her as a colorful person. Looking at myself with the same eyes never crossed my mind. In me, the same thing was a flaw.
Its name in the glossary is the hobby graveyard, and in this article I want to separate both its mechanism and how much of this matter is really a problem.
Why interest fades
In ADHD the source of motivation works a little differently. Sonuga-Barke's (2003) model puts differences related to reward and delay at the center of the picture. The meta-analysis by Plichta and Scheres (2014) shows that the neural response during reward anticipation is different.
The everyday version is this: the reward of learning something new comes right away. You get a little better every day and the difference is visible. That is why the first three weeks go so wonderfully.
Then the learning curve flattens. Progress slows, the reward becomes sparse. At the same time the novelty itself fades. In the glossary it appears as the fading of novelty.
Both fuels run out at the same time, and what is left is what is needed to continue: putting up with a boring period of repetition. That is exactly where I quit, and each time I quit I thought the reason was "I couldn't do it." Yet the skill part was going well; what had run out was the fuel.
Interest does not fade. The two sources it feeds on dry up at the same time.
Part of it is truly not a problem
I have to be honest here: you do not have to sustain every interest.
Spending three weeks on something is not three wasted weeks. You spent three weeks, enjoyed it, learned something and quit. That is an acceptable outcome. Nowhere is there a rule saying "you will finish everything you start"; I was the one who put that rule on myself.
In the study by Sedgwick and colleagues (2019), among the strengths reported by adults with ADHD are curiosity and being able to enter different fields quickly. Starting many things is the natural result of this trait.
The problem is not starting and quitting itself. The problem is in two places:
Cost. Buying expensive supplies at the start. The bill for a pursuit dropped in three weeks ends up heavier than the pursuit itself.
Guilt. Every dropped hobby adds one more piece of evidence to the sentence "I can't sustain anything." The name of this accumulation is toxic shame, and the real harm is there. The money for a supply kit does not come back; but the cost of that shame is paid for years. I covered this side separately in the article on shame and self-compassion.
Why starting something new feels so good
When I searched for the answer to this question, the matter became a little clearer.
What I get when I start a new pursuit is not only the pursuit itself. I also get a story: this time I will be a different person. Someone who works regularly, sustains it, finishes. The supplies I buy are actually the ticket to that story.
What I lose when I quit is that too. I do not lose the pursuit; I lose the story. I think this is why the pain is so out of proportion.
Once I noticed this, I began to look with more suspicion at the excitement at the moment of buying. I ask myself: do I want this thing, or do I want to be the person who does this thing? In most cases where I give the second answer, postponing the purchase works, and a week later the wish has passed.
There is also the opposite. Some things I want because I am really curious about them, and that curiosity is not tied to a story. With those, quitting at three weeks does not hurt me, because my curiosity has been satisfied.
Lowering the cost
Starting with the cheapest version. The simplest supplies for the first three months. If interest lasts, you upgrade. This rule alone removes most of the cost of the hobby graveyard, and it really worked for me.
Borrowing or renting. Equipment, even lessons. You do not need to own something to try it.
Getting rid of the supplies. Dropped supplies sitting in the closet produce guilt every day. Selling or giving them away lifts this load. When I give something away, I also stop being ashamed of having quit it.
Committing to one term. A one-term course brings both an external structure and a definite end. Something with an end is not counted as dropped; it is counted as completed, and this difference changes the mood completely. I wrote the story of half-finished courses in the article on unfinished courses.
If there is something you want to sustain
There are some things you really want to sustain. For those:
Lowering the measure. Ten minutes once a week instead of an hour three times a week. What is sustainable beats what is ambitious. Everything I started big, I dropped early.
Producing novelty from within. Opening a new area inside the same pursuit: a new technique, a new style, a new material. Meeting the need for novelty not by changing the pursuit but within it.
Building a social tie. A group, a class, an appointment made together. The structure that comes from outside steps in where inner motivation drops. For me this is the most reliable.
Keeping it visible. The day I put something in the closet, I stop doing it. I touch what stands at eye level. This is the hobby version of the object permanence problem.
Accepting returning interest. Dropping something and coming back to it six months later is also a way of continuing. Interests can come around in circles, and I have learned to read this not as disorder but as my own rhythm.
Legitimize quitting in advance. When you start something new, tell yourself "I will try this for three months, then I will decide." Quitting then stops being a failure and becomes part of the plan. This one sentence also reduced my hesitation about starting.
Not confusing it with hyperfocus
I need to make one more distinction, because these two look alike.
What I live through in the first weeks of a new pursuit is often hyperfocus: I sink in for hours, forget to eat, take interest in nothing else. In that period I tell myself "this time it's different."
Yet that intensity is not a sign of sustainability. On the contrary, the intensity itself is a temporary state, and when it ends it leaves an emptiness. I read that emptiness as "my interest has passed" and quit.
Looking at it knowingly changed one thing in me: I try not to make big decisions in the first weeks. I do not time buying something expensive, making a long commitment or telling everyone to that period. If I am still there in the fourth week, then I think about it.
What I tell myself
The hobby graveyard is a direct result of how my motivation works. I cannot change this, and trying to change it did not gain me anything.
There are two things I can change: keeping the cost of entry low and not punishing myself when I quit. When I do these two, the beginnings in my closet stop being an archive of guilt and become records of my curiosity.
I covered the general picture of the need for stimulation in the article on stimulation seeking.
Frequently asked questions
- What is the hobby graveyard?
- The accumulation of pursuits begun with great enthusiasm and dropped a few weeks later.
- Why does interest fade?
- Because most of the motivation comes from novelty. When novelty fades, there is no fuel left to continue.
- Do I need to sustain every hobby?
- No. Part of it is truly not a problem; you do not have to sustain every interest.
- How can the cost be lowered?
- By postponing the starting investment. Buying expensive equipment after the third week rather than on the first day reduces both the money and the guilt.